Selected Poems

Forthcoming

Academy of American Poets’ Poem-a-Day: “Common Things”

The Believer: “Forced March”

Bennington Review: “Resignation Syndrome”

Crazyhorse: “Mortality Event”

The Kenyon Review: “Ownership of Time”

Vinyl: “Porousness”


Online

Witness: “Inunacknowledgeddetentionwithout,” Spring 2018.

The Elephants: “Pasts,” Fall 2017.

Typo: “Object Permanence,” Summer 2017.

Conjunctions: “Black Paintings” and “Peace Epic,” Spring 2016.

Boston Review: “Devouring Each Other,” Summer 2015.

Green Mountains Review: “Bellfounding” and “Dwelling,” Fall 2014.

Sixth Finch: “Beach Scene” and “Degree of Nothing,” Summer 2013.

Guernica: "Cages," Spring 2013.

The Paris-American: “Schedule for Burning,” “Their Papers” and “Pastorale,” Spring 2013.

Boston Review (Introduced by Mark Strand): Selections from Contrapuntal, Winter 2010.


In Print

Harvard Review: “Definite Article,” Winter 2019.

The Cincinnati Review: “The One Story,” Fall 2018.

The Massachusetts Review: “Ownership of Sight,” Fall 2018.

The Antioch Review: “Ownership of Words,” Summer 2018.

Third Coast: “Map of Belonging,” Fall 2017.

Poetry Northwest:  “Trust,” Summer 2017.

Crazyhorse: “Degree of Nothing,” Spring 2017.

Handsome:  “Degree of Nothing” and “Orientation,” Summer 2016.

The Iowa Review: “Division of Labor,” “Multiverse,” “Ruin Value” and “Placeholder,” Winter 2016.

The Kenyon Review: “Geometry of Echo,” Fall 2015.

Cimarron Review: “Affliction” and “Valuing,” Winter 2015.

The California Journal of Poetics: “River Again,” Winter 2015.

Gulf Coast:  “Asylum” and “Lucus,” Fall 2014.

Colorado Review:  “Rejoinder” and “Backward-Spreading Brightness,” Fall 2013.

32 Poems: “Remonstrance,” Fall 2013.

Cream City Review:  “Caedmon” and “Afterword,” Fall 2013.

Washington Square: “Portion,” Spring 2013.

 American Letters & Commentary: “Layer of Ash,” Summer 2012.


Press

The Massachusetts Review: “10 Questions for Christopher Kondrich”


A video recorded for The Iowa Review, In which I read "Multiverse" and "Ruin Value" while crossing the Long Island Sound.


The Pushcart Prize Anthology

“The One Story” nominated by The Cincinnati Review (2019).

“Asylum” nominated by Gulf Coast (2015).

“Their Papers” nominated by The Paris-American (2013).